![]() The sample-based synthesis filter section, however, was never improved. ![]() With successive models, some of these shortcomings were rectified, such as the digital connectivity, and improvement of the piano samples. The original piano samples, a crucial evaluation element of expensive synths and music workstations, were the subject of even greater criticism arguably, the integrated sample RAM could compensate for this. However, to much surprise of musicians and journalists, it lost the sequencer audio tracks, digital input and output, and the digital filter section was downgraded, thus limiting sample-based synthesis. The original Triton introduced many improvements over the Trinity, like 62-note polyphony, arpeggiator, onboard sampler, faster operating system and more realtime controllers. The Triton "Classic" followed the Trinity's naming conventions of the Pro and Pro X being designated to models featuring 76 and 88 keys respectively (that system actually started with previous 01/w series, also available with 61 (base and -FD models), 01/wPro (76) and 01/wProX (88). ![]() The two ranges are aesthetically and functionally very similar. The Korg Triton line is considered the direct descendant of the earlier Korg Trinity line of workstations.
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